![]() My digital photos are nothing of the sort, of course, but there's an inescapable level of nostalgia from adding noise and light leaks to photos. The FX tab is my guilty pleasure another step in the Studio editor that lets you add frames and textures to images to make them look like aged film snaps. The effect of an edit is instant, but if you don't like what's changed then you can go back with a tap of the Undo icon. If you think the presets make things too easy, then VSCO's editing tools provide a whole suite of ways to tweak and enhance the tonal levels, color, contrast, clarity, and more using incredibly responsive sliders. It helps to start with a decent image (this pet photo was from the Leica M11-P) but presets and effects are very polished (Image credit: Lauren Scott) Getting advanced What I love about VSCO is that once you tap on an image and hit edit, you're given a huge range of presets – some recommended for the photo – that you know will be a great starting point. Most photo editors are either too basic (Instagram) or too advanced, with so many sliders you can barely fit them on a small phone screen. Studio is where I've spent the most time tapping so far, and where photographers will find the most value – even if they never use the app's other functions. ![]() Once your images are there, it's a neat touch to be able to sort through them with options like Edited, Unedited, or Not Saved. It takes moments to add photos to Studio from your camera roll or phone folders, and I imported a batch recently shot on the Leica M11-P so that I could test out the presets on some pro-grade files. Still, I find the content much more realistic than the perfection of Instagram's Search & Explore function – which now gives me more cat videos and comedians than creative imagery (blame it on my browsing, perhaps). So far this is the area I've used least, and it's a little like delving into the hipster galleries of a college photography department. Discover is where you'll find inspirational feeds from the VSCO community (curated by VSCO staff), broken into sections like "Geometric" and "Style". The VSCO interface is tidy, and it's easy to navigate thanks to the five main sections at the bottom of the screen – Home, Discover, Studio (the editing bit), your Member Profile, and Spaces. Organize gives you another way to view your editing "Recipe", bringing Presets and Tools into a drop-down view (Image credit: Lauren Scott) All about the Presets VSCO is still sure to appeal to the demographic of people who love the best instant cameras, people like me daft enough to pay for a trendy aesthetic, and photographers who want to get the most from their best camera phone without ever having to use full-fledged desktop photo editors. It's a good thing the film emulations reproduce the look of analog photos so well, then. Especially when some of its previously free features have been put behind a paywall. When you consider that Snapseed is a totally free mobile photo editor, VSCO starts to look very pricey. The Pro membership is only available on iOS, and for $12.99 a month ($59.99 yearly) it gives you everything in Plus, as well as VSCO’s web editor, Pro presets, and a Pro Membership badge on your profile. You also get unlimited “recipes”, which are the equivalent of saving your own presets, so that you can apply the same visual looks to images again later. For $7.99 a month or $29.99 annually, that unlocks over 200 presets, a video editor (plus GIF editor), and the types of editing tools you find in Lightroom Mobile - think Dodge & Burn, HSL, and Clarity. I found this plan too limiting and quickly signed up for a 7-day trial of the Plus plan. VSCO is free on iOS and Android, but that only gets you a measly 15 presets and basic exposure adjustments. It seems that data copyed from the Mocha Plugin are not compatible with this new version of AE.(Image credit: Lauren Scott) Plus or Pro are the way to go The Corner Pin effect is applied, but i have keyframes only on the left up corner.Īh, by the way, if i export data to a text document, it doesn't works. If i paste Corner pin data to a Solid, no keyframes are applied (even on Position,Scale and Rotation to add motion blur). ![]() Now if i paste Transorm data, nothing happens. Create a solid (if i have to paste Corner Pin data) or a Null (if i have to paste transform data)Īnd it works as expected till 2024 release. Click on Export Tracking Data and select Transform Data or Corner Pin+ Motion blur Data copied to the clipboard won't paste to AE layers. I don't remember when, but it happened a lot of time ago. But i have always used data copyed to the clipboard from the Mocha plugin and then apply them to a Null. Yep, i can generate track data from the plugin.
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